The performance is intended to provoke discussion about the invisibility of maids in Brazil. After all, the scene is repeated daily: a black woman, dressed in white, pushes a stroller with a child as white as her uniform. At work, the cart is parked at a certain point in the city. The invitation to passers-by is made through a white balloon nailed to the cart with the words: “A Babá Quer Passear (The Nanny Wants a Stroll).”