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POST-SHOW CONVERSATIONS

MEDIATED BY AMILTON DE AZEVEDO, DANIELE AVILA SMALL, GUILHERME DINIZ, AND SORAYA MARTINS

Conversations

All ages

60'

Free admission

10 Sep ∙ Saturday

11 Sep ∙ Sunday

12 Sep ∙ Monday

14 Sep ∙ Wednesday

15 Sep ∙ Thursday

17 Sep ∙ Saturday

info

09.10., SATURDAY, after the performance of “Hay que tira las vacas por el barranco”
09.11., SUNDAY, after the performance of “QUIMERA”
09.12, MONDAY, after the performance of “Orgy, Pasolini”
09.14, WEDNESDAY, after the performance of “Hamlet”
09.15., THURSDAY, after the performance of “c h ãO”
09.17, SATURDAY, after the performance of “DRAGON”

Consecutive translation Português / Español

The formation of spectators involves the improvement of the critical look. In part of the presentations, the public is invited to stay and participate in a chat with the direction, the cast, or the creative team. It is an opportunity to expose impressions and testimonials about your face-to-face experience.

AMILTON DE AZEVEDO (BRA)

theater critic and professor. Master in Performing Arts from Escola Superior de Artes Célia Helena, where he taught. He created the theatrical criticism platform ruína acesa in 2017. He wrote for Folha de S.Paulo and several festivals. Member of the International Association of Theatre Critics.

DANIELE AVILA SMALL (BRA)

Ph.D. in Performing Arts from UNIRIO, Master’s in Social History of Culture from PUC-Rio, and Bachelor in Theater Theory from UNIRIO. She is the creator and editor of the magazine Questão de Crítica and president of the Brazilian section of the International Association of Theatre Critics (AICT-IATC).

GUILHERME DINIZ (BRA)

researcher, theater critic, and master’s student in Brazilian literature at UFMG. Review of Horizonte da Cena website. Artistic director of the Geraldina Campos de Almeida Municipal Theater, in Pará de Minas (MG). He investigates black theater and dramaturgy.

SORAYA MARTINS (BRA)

critic, actress, theater researcher, and independent curator. She participated in the curatorship of the International Festival of Performing Arts of Bahia, the Fiac (2019-2021), and the International Festival of Theater Palco & Rua, the FIT-BH (2018). Doctor in literature, she researches contemporary black aesthetics and their processes of sociability and fabulation on stage.